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Text & Performance

Historical overview of Indian theatre

STUDY MATERIAL on Generic Elective (ENGLISH) Paper TEXT AND PERFORMANCE

“I regard the theatre as the greatest of all art forms, the most immediate way in which a human being can share with another the sense of what it is to be a human being.” – Oscar Wilde

INDIAN THEATRE

The Indian theatre has a tradition going back to at least 5000 years. The earliest book on dramaturgy anywhere in the world was written in India. It was called Natya Shastra, i.e., the grammar or the holy book of theatre by Bharat Muni. Its time has been placed between 2000 B.C. to 4th Century A.D. A long span of time and practice is needed for any art or activity to form its rules and notifications. It can be said with assurance that to have a book like Natya Shastra, the Indian theatre must have begun long, long before that if we go back to historical records, excavations and references available in the two great epics The Ramayana and The Mahabharata.

Theatre in India started as a narrative form, i.e., reciting, singing and dancing becoming integral elements of the theatre. This emphasis on narrative elements made our theatre essentially theatrical right from the beginning. That is why the theatre in India has encompassed all the other forms of literature and fine arts into its physical presentation: Literature, Mime, Music, Dance, Movement, Painting, Sculpture and Architecture – all mixed into one and being called ‘Natya’ or Theatre in English.

    Here it can be said that all the ancient traditions in the world – whether Eastern or Western – present almost the same picture of the theatre. On a superficial overview of both the traditions, they may sound similar in their exterior or physical manifestations but if we go deeper into the philosophy and outlook of both the worlds, it will be easier to understand that both of them are poles apart in their basic nature. The western philosophy of life is deep-rooted in the belief that there is no life after death whereas the Indian philosophy, especially the Hindu doctrine, sees life in a continuity, i.e., there is no end even after death.

    Life keeps on moving as a circular activity. Theatre in the West presents life as it is whereas in India it presents life as it should be. In other words, this can be explained like this : Life in the West has been portrayed nearer to realism whether in theatre or other arts but in India it has been illustrated more in idealistic terms. This has been so right from the beginnings of the theatre in both the hemispheres.

Identity

    Another question relates to the identity of Indian theatre today. When the theatre was being performed in one single language like Sanskrit, it had a national identity of its own. But today the picture is completely changed. India is a vast country with 22 languages and as many different cultures. It is not like any Western country where the language are culture are one and, therefore, the theatre can be identified immediately with these elements.

    In India, the concept of National Theatre has to be seen purely in regional terms. All the regions have their own language,history and culture and their theatre is also deeply rooted in those circumstances. Therefore, sometimes it becomes a problem of choosing any particular form or region. Does it give a complete picture of Indian character, culture and civilization? That is why over the last 30 to 40 years, there has been a search for its true and authentic form which may represent the aspirations of Modern India as well as a continuity of its traditions.

Changes

    The exodus from the theatre to films is not a new phenomenon. But of late, television, video, film and the satellite channels have attracted the maximum number of people from the theatre to these options because of more money, glamour and market opportunities. As a result, theatre activities have suffered a severe setback in the last 15 years or so. The situation, however, has started changing slowly again. The audience appears to be fed up with the small screen. Theatre being a live and direct medium and always operating on human level with its audience, can never die. Even after innumerable obstacles and upheavals in history, it has always emerged a winner in the end.

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